Lana Flowers May 7, 2021 Dot to Dot
Its also a good idea to have a larger one, about the size of a sheet of paper. 9 inches by 12 inches is a good size. Most papers these days are acid free, but if you have a choice, I suggest getting the acid free, because it will not turn yellow over time. I have a few drawings I made long ago that I wanted to keep, but the paper has turned yellow, because it wasnt acid free. So I suggest using it, because you may want to keep some of your drawings. I also like to get a pad of Bristol board. Thats like a heavier paper or a light cardboard. When you make finished drawings, you can use markers and felt pens on it, and they wont bleed through, like they will with lighter weight paper.
Everyone is an artist, and drawing is a universal precursor to writing. It is very easy to introduce your little artist to the world of graphic arts, writing a story, and early literacy, by early drawing. A self-portrait is one of the first drawings. First- Buy a large 12x24 or larger, newsprint drawing pad. You can also buy a craft paper roll and cut it to size. Also, purchase a set of wide (fat) pre-school crayons. The small regular crayons will not be easy to use for a toddler, since the small muscles in the hand are developing. You should work in a large format with a child. Place a hand held mirror nearby for reference. Second- Sit down on the floor with your child, and have him or her choose a color, and place the large (fat) crayon in his or her hand. Help your child hold the crayon like a pencil. If they have trouble, then they can hold it in their fist.
Of course you want a dot-com extension. Everyone does. But one of the biggest mistakes you can make choosing a domain name is picking one that is difficult to scan and impossible to pronounce. By "difficult to scan" I mean a word or phrase that bares so little resemblance to a real word or phrase that it is resistant to mental retention and you forget it the moment you hear it. An example might be when two or three common English words are severed and reconnected into one impossible mishmash as in "landarchass," a shortened version of a business name that a fictional businessman might choose instead of "landscaping architects and associates" (by the way, if youre interested, this name is still available as a dot-com; I didnt dare use a real name).
The festival got off to a mild start with a set by Milk Maid over at Zoo that gently rocked the crowd into a frenzy and lead nicely into a half hour show over at the HMV Ritz from Bastille that had a fantastic turnout for so early in the day and revved things up a notch - getting everyone in the mood for more. More soon came thanks to the wonderful Lucy Rose, whos warm and fuzzy acoustics proved to be a huge hit. Her new single Lines could well be the song that takes her closer to mainstream success, but at this point it would probably be a good idea to catch her while she is at her hottest. Things were already starting to kick off elsewhere with The Dunwells and Jake Bugg at Zoo, Eyes on Film and Last Dinosaur at Joshua Brooks, The Night and Hyde & Beast at The Deaf Institute and all manner of shenanigans across the three stages over at the fantastic new Sound Control - a former guitar shop that has fast become one of the most interesting venues in the city.
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However, the temptation to stay within the walls of the fabulous HMV Ritz to see the very much buizzed about Dog is Dead was too much and proved not to be a disappointment. After a quick bit of tucker over at Oddest - a lovely little Oxford Rd bar with a fine selection of ales - it was time to get into the evening of the festival. The highlights of the night, which ran into the very early hours indeed, had to be the always entertaining The Drums at The Ritz, the incredible Lulu James over at Joshua Brookes and finally Islet at the Sound Control live lounge. It has to be said, that as the music shifted the latter hours at the club, things may have gotten a little blurry for some of us - but after a day like this I think its fair to say we deserved it.